‘The Outsiders’ Review: Broadway Musical Packs Heart and Soul but Little Punch (2024)

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‘The Outsiders’ Review: Broadway Musical Packs Heart and Soul but Little Punch (1)

Tough guys with a soft side have long held a firm grip on the American imagination. S.E. Hinton’s novel “The Outsiders,” about a cadre of down-and-out boys, has been read by millions of restless adolescents since it was published in 1967, when the author herself was a teenager. Francis Ford Coppola’s 1983 film, stacked with before-they-were-A-list hunks including Rob Lowe and Matt Dillon, ushered in the Brat Pack era of moviemaking that paid serious attention to young people and their discontents.

A new musical version of “The Outsiders,” now playing at the Jacobs Theater on Broadway, leverages the appeal of these previous iterations: the insatiable longing of youth, the triumph of integrity over adversity and, yes, a cast that smolders in vintage muscle tees (costumes courtesy of Sarafina Bush). But the production only intermittently rises to the challenge of transforming such familiar material into theater that feels both original and necessary. It packs plenty of heart and soul, but lacks a strong pulse.

“The Outsiders” isn’t short on plot, but much of it has been seen elsewhere, particularly onstage: rival gangs of haves and have-nots, a romance that crosses enemy lines, and a second-act rumble to settle the score. (It’s probable that Hinton, like so many high school students, also read “Romeo & Juliet.”) “The Outsiders,” which premiered at La Jolla Playhouse last spring, could aptly be described as “Grease” without the fizzy pizazz or “West Side Story” without the passion or the pathos.

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That would be underselling the considerable achievements of the creative team, artfully led by director Danya Taymor, that bolster the production with seductive aesthetic flourishes. It’s to their credit that “The Outsiders” at least lends a distinct flavor to its many recycled elements.

Fraternity is the focus of the script, written by Adam Rapp with Justin Levine, which goes lighter than Coppola on retro slang in favor of naturalism and emotional development among the three orphaned brothers: the narrator Ponyboy (Brody Grant), the brawny and romantic Sodapop (Jason Schmidt) and the eldest turned father figure Darrel (Brent Comer). All three actors are excellent; a shared sense of bruised tenderness suffuses their domestic scenes, which glow beneath amber pools of light in stark contrast to street fights pierced by sudden blackouts. (Brian MacDevitt’s lighting is wonderfully expressive.)

There’s a baleful, country sound to the score, by the folk duo Jamestown Revival (Jonathan Clay and Zach Chance) and Levine (who is also credited with music supervision, orchestration and arrangements) suited to the Oklahoma setting and an aching desire to escape it. Nearly the whole first act is dedicated to numbers hammering that desire home, including the song “Great Expectations,” named for Dickens’ novel, which replaces “Gone With the Wind” as the literary reference in Ponyboy’s pocket. (Rapp also makes him the brains of the family.)

After an opening number that accomplishes lots of heavy lifting — establishing time and place (“Tulsa 1967”) and primary conflict (between disadvantaged “greasers” and monied “socs,” or socialites) — a wistful sense of resignation (“that’s probably how it’s always gonna go”) becomes the dominant theme. That ennui weighs on the show like a lead blanket despite a back-loaded proliferation of twists, including a deadly stabbing and the rescue of children from a church fire. Even as life takes irrevocable turns, Ponyboy still feels trapped, which makes narrative sense but proves difficult to dramatize.

The raw-wood set, dominated by a barn-like wall, seems intended to reflect that imprisonment (it’s by the design collective AMP featuring Tatiana Kahvegian) and serves as a muted canvas for more notable effects. A high-pitched ringing brings the audience inside Ponyboy’s skull when he is knocked unconscious by a haughty rival (sound is by Cody Spencer). And that climactic fight is set in a thunderstorm and choreographed, by Rick and Jeff Kuperman, like an erotic music video (a conceit also seen in the most recent Broadway staging of “West Side Story”).

Considering the songwriters turn “Tulsa 1967” into a recurring refrain, and that a notorious massacre devastated the city’s Black neighborhood not 50 years earlier, the production smartly does not ignore race among its social divisions. In this version of the story, mentor and ex-con Dally (Joshua Boone) teaches Johnny (Sky Lakota-Lynch) to defend himself, a fatal bit of hard-won wisdom that leads to their tragic outcomes. Both actors deliver late-stage numbers that are among the score’s high points.

But a puttering feeling pervades even these climactic moments. The infatuation between Ponyboy and Cherry (Emma Pittman), which produces a couple of serviceable duets, feels perfunctory and fades into a melange of other conflicts. Hinton’s novel gallops with the muscular first-person voice of a tortured narrator, grabbing readers by the collar. “The Outsiders” musical takes a milder approach, peering under the hood of masculinity to the tune and pace of indie emo.

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‘The Outsiders’ Review: Broadway Musical Packs Heart and Soul but Little Punch

Bernard B. Jacobs Theatre; 1,027 seats; $199 top. Opened April 11, 2024. Reviewed April 6. Running time: 2 HOURS, 30 MIN.

  • Production:An Araca Group, American Zoetrope, Olympus Theatricals, Sue Gilad & Larry Rogowsky, Angelina Jolie, Betsy Dollinger, Jonathan & Michelle Clay, Cristina Marie Vivenzio, The Shubert Organization (Robert E. Wankel: Chairman and CEO; Elliot Greene: Chief Operating Officer; Charles Flateman: Executive Vice President), LaChanze & Marylee Fairbanks, Debra Martin Chase, Sony Music Masterworks, Jamestown Revival Theater, Jennifer & Jonathan Allan Soros, Tanninger Entertainment, Tamlyn Brooke Shusterman, Geffen Playhouse / Howard Tenenbaum / Linda B. Rubin, Kevin Ryan, Mistry Theatrical Ventures, Galt & Irvin Productions, Tulsa Clarks, Paul Liljenquist, Bob & Claire Patterson, Voltron Global Media, James L. Nederlander, Warner Bros. Theatre Ventures, The John Gore Organization, Independent Presenters Network, Stephen Lindsay & Brett Sirota, Jeffrey Finn, Playhouse Square, Sue Marks, Indelible InK, Lionheart Productions, The Broadway Investor's Club, Starhawk Productions, Distant Rumble, Green Leaf Partnership, Michael & Elizabeth Venuti, Leslie Kavanaugh, Deborah & Dave Smith, Belle Productions, Chas & Jen Grossman, Miranda & Sahra Esmonde-White, Rungnapa & Jim Teague, Michael & Molly Schroeder, Casey & Chelsea Baugh, James L. Flautt, Jon L. Morris, Becky Winkler, William Moran Hickey Jr. & William Moran Hickey III, Oddly Specific Productions, Melissa Chamberlain & Michael McCartney, Rachel Weinstein, Wavelength Productions, Rob O'Neill & Shane Snow, Eric Stine, Cornice Productions and La Jolla Playhouse presentation of a musical in two acts with music and lyrics by Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine and book by Adam Rapp and Justin Levine.
  • Crew:Directed by Danya Taymor; Choreographed by Rick Kuperman and Jeff Kuperman; Scenic Design by AMP and Tatiana Kahvegian; Costume Design by Sarafina Bush; Lighting Design by Brian MacDevitt; Sound Design by Cody Spencer; Projection Design by Hana S. Kim; Hair and Wig Design by Alberto "Albee" Alvarado; Make-Up Design by Tishonna Ferguson; Special Effects by Jeremy Chernick and Lillis Meeh; Musical Supervision, Arrangements and Orchestrations by Justin Levine; Production Stage Manager: Beverly Jenkins.
  • Cast:Dan Berry, Joshua Boone, Brent Comer, Barton Cowperthwaite, Tilly Evans-Krueger, Brody Grant, RJ Higton, Wonza Johnson, Sean Harrison Jones, Sky Lakota-Lynch, Renni Anthony Magee, SarahGrace Mariani, Kevin William Paul, Emma Pittman, Melody Rose, Jason Schmidt, Josh Strobl, Daryl Tofa, Trevor Wayne, Jordan Chin, Milena J. Comeau, Henry Julián Gendron and Victor Carrillo Tracey.
‘The Outsiders’ Review: Broadway Musical Packs Heart and Soul but Little Punch (2024)

FAQs

Is The Outsiders musical good? ›

See it if you love the book and the movie and want to be truly moved and inspired by the wonderful staging and incredible talent. Don't see it if you want a lighthearted experience. See it if want a new take on a classic story with a riveting score. Don't see it if you want to see something original.

Is The Outsiders okay for 12 year olds? ›

The film could be used to talk about grief, loss, and searching for a voice, but is too complex (and violent!) for a simple comparison of a novel to a movie adaptation. The book is probably 12+, but the movie is certainly 14+.

What have critics said about The Outsiders book? ›

The relationship between the Greasers and the Socs is very strained. Most members of each gang despise each other. A flaw with the book is that the solutions to the plot's problems seemed simplistic. The plot is all wrapped up in one big bow which doesn't seem realistic.

Who would you recommend The Outsiders to? ›

More young people should read The Outsiders because of its themes that can still apply to life for anyone today and because it's a great book that both captivates young people as well as provokes their thoughts and emotions.

Why was The Outsiders banned? ›

Still, some schools and libraries have tried to ban The Outsiders due to its depiction of underage drinking and smoking, crass language, violence, and so-called “family dysfunction” — that is, The Outsiders portrays a chosen family, not a nuclear one.

Is there anything inappropriate in The Outsiders? ›

There are scenes of sexual harassment in which teenage boys direct sexually suggestive comments at girls and one boy publicly pulls up a girl's skirt to reveal her underwear. In another scene a boy tries to hold a girl while she struggles and protests, but he finally stops after his friends object to his behaviour.

When was The Outsiders banned? ›

In 1986, it was challenged in South Milwaukee, Wisconsin for its inclusion on an eighth grade reading list because “drug and alcohol abuse was common and virtually all the characters were from broken homes.”

Is The Outsiders still banned? ›

This book has been banned from some schools and libraries because of the portrayal of gang violence, underage smoking and drinking, strong language/slang, and family dysfunction. However, in many U.S. schools, the book is part of the English curriculum at the middle- or high-school level.

Is the outsider graphic? ›

It features a lot of disturbing and bloody content, including that of a child's mutilated corpse. Murder is a theme (and occasionally shown), and there are frequent violent outbursts using weapons like guns and bats. Frightening images of (presumed) supernatural entities are shown.

What is the moral message of The Outsiders? ›

The Outsiders is mainly about struggle, specifically how people bond over and deal with struggle. Some characters, like Ponyboy, learn from their struggles and succeed in spite of them. Others, like Dally, are far too damaged by their struggle in life, which leads to self-destructive and violent actions.

What are the controversial topics in The Outsiders? ›

Many of the issues that adolescents in the novel face are still very prevalent today. Teenage suicide, pregnancy, smoking, drinking, and the importance of staying in school are still areas of concern for teens.

Is The Outsiders Based on a true story? ›

Even though The Outsiders is fictional, the book is based in S.E. Hinton's hometown of Tulsa, Oklahoma. Hinton published the book in 1967 and the story takes place in the same time period. Though the book may feel like historical fiction for today's readers, it was a work of contemporary fiction when Hinton wrote it.

Why do people like The Outsiders so much? ›

The Outsiders is gritty, honest and authentic, and a novel that I feel every teenager needs to read. It makes the reader see that at the end of the day, as Ponyboy says, “we see the same sunset, and that while we are the ones who create the divides between ourselves, we can also be the ones to challenge them”.

Why does everyone read The Outsiders? ›

The Outsiders has something for every reader; there are star-crossed lovers, misunderstood teenage boys, thrilling fighting scenes, and suspense creeping up through every page. Based on Hinton's own childhood, the story is about two very different high school gangs, the Socs and the Greasers.

What does stay golden Ponyboy mean? ›

Here, Johnny urges Ponyboy to remain gold, or innocent. Johnny now senses the uselessness of fighting; he knows that Ponyboy is better than the average hoodlum, and he wants Ponyboy to hold onto the golden qualities that set him apart from his companions.

What is The Outsiders musical about? ›

This thrilling new Broadway musical navigates the complexities of self-discovery as the Greasers dream about who they want to become in a world that may never accept them.

How long is outsiders the musical? ›

2 hr 30 mins including one 20 min intermission. Duration is subject to change and will be updated closer to performance dates. This musical includes strong language, simulated smoking, simulated violence, strobe and water-based atmospheric effects.

What age is The Outsiders appropriate for? ›

But the indelible characters and compelling story have consistently hooked middle school kids, teens, and reluctant readers since The Outsiders was first published in 1967. This book appeals to preteens (many read it in sixth grade) because that's the time when kids break into social cliques and life becomes tribal.

What grade level is The Outsiders appropriate for? ›

This book's Lexile measure is 750L and is frequently taught in the 9th and 10th grade. Students in these grades should be reading texts that have reading demand of 1050L through 1335L to be college and career ready by the end of Grade 12. To find additional guides, please visit Lexile.com/lexile−by−chapter.

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